2¢ Carmine Marler Type R28 Zone 1 Retouch Notes
Tag notes:
Extended - one or more horizontal lines extend through the vertical retouch line
A digit represents the sum of the additional zones (zone 1 is NOT included) where retouching is also found.
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As of June 2026, the plan is to replace many placeholder images with images of actual stamps. These images will correspond to Marler’s descriptions, although they may not be accurately plated.
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Showing 187 of 187 2¢ Carmine Zone 1 Retouches.
A retouch of the lower left vertical line "From above the top of the spandrel to the bottom of the left numeral box."
A retouch of the lower left vertical line "From above the top of the spandrel to the bottom of the left numeral box."
A retouch of the lower left vertical line "From above the top of the spandrel to the bottom of the left numeral box."
A retouch of the lower left vertical line "From above the top of the spandrel to the bottom of the left numeral box."
A retouch of the lower left vertical line "From above the top of the spandrel to the bottom of the left numeral box."
A retouch of the lower left vertical line "From above the top of the spandrel to the bottom of the left numeral box."
(A Retouch in the Vertical Line of the Lower Left) "From above the top of the spandrel to the bottom of the left numeral box."
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the top of the box.”
Retouch 1A (in Marler but listed as 2B)
A retouch of the lower left vertical line "From above the top of the spandrel to the bottom of the left numeral box."
Retouch to the LL vertical line from above the spandrel to the bottom of the LNB. The retouch begins a bit below the top of leaf 4. It is especially strong opposite leaves 1 and 2.
Horizontal dash in the left margin opposite the middle of leaf 2. May be perfed out.
(A Retouch in the Vertical Line of the Lower Left) "From above the top of the spandrel to the bottom of the left numeral box."
A retouch of the lower left vertical line "From above the top of the spandrel to the bottom of the left numeral box."
The Retouch in the Lower Left Vertical line goes "From above the top of the spandrel to the bottom of the left numeral box - the line bulges opposite leaves 2 and 3"
Retouch to LL vertical line from above the top of the spandrel to the bottom of the LNB. White area between frame and spandrel is narrow from middle of leaf 2 to middle of leaf 3.
Line bulges opposite leaves 2 and 3
A retouch of the lower left vertical line "From above the top of the spandrel to the bottom of the left numeral box."
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 1 to the bottom of the box.”
See Leo’s notes indicating that the line originates from the top of the spandrel.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
The Retouch in the Lower Left Vertical line goes "From above line 1 to the bottom of the box"
Retouch 2A (in Marler but listed as 3A)
Retouch to LL vertical line from the spandrel to the bottom of the LNB. Strong retouch.
There is a vertical spur in the lower left corner.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch of the lower left vertical line) "From the top of the spandrel to the bottom of the box"
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
Strong retouch to the LL vertical line from the top of the spandrel to the bottom of the LNB.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.” (with a double line in the left box.)
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
"The vertical line in the lower left from top to bottom and the vertical line in the lower right from line 1 to the bottom"
Vertical line in lower left from top to bottom and vertical line in lower right from line 1 to bottom
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
Retouch 2A (in Marler) Retouch to LL vertical line from the top of the spandrel to the bottom of the LNB.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box. (a very heavy vertical line in the box)
Retouch to LL vertical line from the top of the spandrel to the bottom of the LNB. The vertical line of the LNB is thin at the very top, thick from there to the middle of the bottom loop of the 2, and gradually becomes thinner until the LL corner.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
Retouch to the LL vertical line from the top of the spandrel to the bottom of the LNB.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
Retouch to the LL vertical line from the top of the spandrel to the bottom of the LNB. The retouched line bends slightly to the right at the top of the spandrel.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A Retouch in the Vertical Line of the Lower Left) "From the top of the spandrel to the bottom of the left numeral box."
(A retouch of the lower left vertical line) "From the top of the spandrel to the bottom of the box"
Retouch 2A (not in Marler) Retouch of the LL vertical line from the top of the spandrel to the bottom of the LNB.
(A Retouch in the Vertical Line of the Lower Left) "From the top of the spandrel to the bottom of the left numeral box."
Wavy line
(A Retouch in the Vertical Line of the Lower Left) "From the top of the spandrel to the bottom of the box with a heavy diagonal line opposite leaves 2 and 3."
Heavy diagonal line opposite leaves 2 and 3
(A Retouch in the Vertical Line of the Lower Left) "From the top of the spandrel to the bottom of the box with both the upper and lower frame junction lines retouched also."
Faint scratches in the left inner oval from the C in CANADA to near the bottom of leaf 4. Issued stamp does not have this.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
A retouch of the lower left vertical line.
Light retouch to the LL vertical line from the top of the spandrel to the bottom of the LNB.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
A retouch of the lower left vertical line.
Retouch to the LL vertical line from the top of the spandrel to the bottom of the LNB.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the top of the box.”
Retouch 2A (in Marler, listed as 2B)
Retouch to the LL vertical line from the top of the spandrel to the top of the LNB.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
The Retouch in the Lower Left Vertical line goes "From the top of the spandrel to the bottom of the box and is a very heavy line"
Strong retouch to LL vertical line from the top of the spandrel to the bottom of the LNB.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.
Retouch to the LL vertical line from the top of the spandrel to the bottom of the LNB. At the top, the retouched line bends to the right to touch the frame junction line.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from above line 1 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from above line 1 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from above line 1 to the bottom of the box.”
The Retouch in the Lower Left Vertical line goes "From above line 1 to the bottom of the box"
Retouch 3A (in Marler, but only LL vertical line mentioned)
(A retouch in the vertical line of the lower left) "from above line 1 to the bottom of the box.”
Retouch of the LL vertical line from above line 1 to the bottom of the LNB.
(A retouch in the vertical line of the lower left) "from above line 1 to the bottom of the box.”
Retouch to the LL vertical line from above line 1 to the bottom of the LNB. Going from bottom to top, the retouch veers increasingly to the right beginning at the top of leaf 2.
Guideline at right of left numeral box.
(A retouch in the vertical line of the lower left) "from above line 1 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from above line 1 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from above line 1 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from above line 1 to the bottom of the box.”
Retouch 3A (in Marler)
Fine retouch to LL vertical line from line 1 to the bottom of LNB.
(A retouch in the vertical line of the lower left) "from above line 1 to the bottom of the box.”
Light retouch to the LL vertical line from above line 1 to the bottom of the LNB.
The retouch bulges out opposite the top half of leaf 1.
The variety is found as the UR stamp in a block of four and is the only stamp in the block to be retouched. Based on Marler’s data, this strongly indicates that 117LR35 is the correct position.
(A retouch in the vertical line of the lower left) "from line 1 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 1 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 1 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 1 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 1 to the bottom of the box.”
Retouch to the LL vertical line from line 1 to the bottom of the LNB. The white area between the left frame and LL spandrel is narrow.
Two small marks below the left side of the E in CENTS:
(A retouch in the vertical line of the lower left) "from line 1 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 1 to the bottom of the box.”
(A Retouch in the Vertical Line of the Lower Left) "From line 1 to the bottom of the left numeral box."
(A retouch in the vertical line of the lower left) "from line 1 to the bottom of the box.”
Retouch 4A (in Marler) Strong retouch to LL vertical line from line 1 the bottom of the LNB.
(A Retouch in the Vertical Line of the Lower Left) 'From line 1 to the bottom of the box with an irregular line in the box."
(A retouch in the vertical line of the lower left) "from line 1 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 1 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 1 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 1 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 1 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 1 to the bottom of the box.”
Retouch to the LL vertical line from line 1 to the bottom of the LNB.
The top ½ of the vertical line of the left numeral box appears to be doubled.
(A retouch in the vertical line of the lower left) "from line 2 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 2 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 2 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 2 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 2 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 3 to the bottom of the box.”
Retouch to the LL vertical line from line 3 to the bottom of the LNB.
(A retouch in the vertical line of the lower left) "from line 3 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 3 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 3 to the bottom of the box.”
Retouch to the LL vertical line from line 3 to the bottom of the LNB. The retouch is strong opposite leaves 1 and 2.
(A retouch in the vertical line of the lower left) "from line 3 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 4 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 4 to the bottom of the box.”
Retouch to LL vertical line from line 4 to the bottom of the LNB.
Retouch to bottom of LNB. Line is thick below the 2, but is normal past the right edge. Not in Marler.
(A retouch in the vertical line of the lower left) "from line 4 to the bottom of the box.”
Retouch to the LL vertical line from line 4 to the bottom of the LNB.
(A retouch in the vertical line of the lower left) "from line 4 to the bottom of the box.” (with a spur up and out from line 4.)
Strong retouch to the LL vertical line from line 4 to the bottom of the LNB. Spur up and towards the frame from line 4 to above line 1.
(A retouch in the vertical line of the lower left) "from line 4 to the bottom of the box.”
Retouch to LL vertical line from line 4 to the bottom of the LNB.
(A retouch in the vertical line of the lower left) "from leaf 2 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from leaf 2 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from leaf 2 to the bottom of the box.”
Fine retouch to the LL vertical line from leaf 2 to the bottom of the LNB.
(A retouch in the vertical line of the lower left) "from leaf 2 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from below leaf 2 to the bottom of the box.”
Retouch to LL vertical line from below leaf 2 to the bottom of the LNB.
(A retouch in the vertical line of the lower left) "From above the top of the lower left spandrel to the top of the box.”
Retouch to the LL vertical line from above the spandrel to the top of the LNB.
(A Retouch in the Vertical Line of the Lower Left) "From above the top of the lower left spandrel to the top of the box. (a mark beside the lower left corner)"
Strong retouch to the LL vertical line from above the spandrel to the top of the LNB. Bulges out opposite leaf 3.
Mark beside lower left corner
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the top of the box.”
Retouch 2B (partly in Marler)
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the top of the box.”
Retouch to the LL vertical line from the top of the spandrel to the top of the LNB. Space between LL spandrel and left frame is narrow opposite middle of leaf 3.
Kink at the left end of the bottom frame. The left frame angles out slightly at the bottom corner.
a) Guide dot in the right margin at the midpoint, 0.5 mm from the right frame.
b) Pane delineation guide dot in the bottom right margin. May be perfed out or appear on the stamp below, 117LR10.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the top of the box.”
(A retouch of the) LL vertical line, from top of spandrel to the top of the LNB with a spur upwards to the left at the top.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the top of the box.”
Retouch to the LL vertical line from the top of the spandrel to the top of the LNB.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the top of the box.”
Retouch 2B (in Marler)
Retouch to LL vertical line from the top of the spandrel to the top of the LNB. Retouch bends to the right slightly at the top to meet the frame junction line.
(A retouch of the lower left vertical line) "From line 4 to the bottom of the box with a spur up and out from line 4"
Retouch to the LL vertical line from above line 1 to the top of the LNB.
The top of the retouch looks like a spur going to the left above line 1 and opposite lines 1 and 2.
The retouch bulges out slightly opposite the middle of leaf 3.
(A retouch in the vertical line of the lower left) "from above line 1 to the top of the box.”
(A retouch in the vertical line of the lower left) "from above line 1 to the top of the box.”
Retouch to the LL vertical line from above line 1 to the top of the LNB.
(A retouch in the vertical line of the lower left) "from above line 1 to the top of the box.”
Retouch 3B (in Marler)
Retouch to LL vertical line from above line 1 to the top of LNB. There appears to be a very small gap between the top of the retouch and the frame junction line.
(A Retouch in the Vertical Line of the Lower Left) "From above line 1 to the top of the box; the line bulges opposite leaf 2."
Retouch to the LL vertical line from above line 1 to the top of the LNB.
The retouch bulges out slightly opposite the top of leaf 2.
(A Retouch in the Lower Left Vertical Line) "from line 1 to the top to the box. (a mark beside the lower left corner)"
Retouch to the LL vertical line from line 1 to the bottom of the LNB.
(A retouch in the vertical line of the lower left) "from above line 1 to the top of the box.”
Retouch 4B (in Marler, but listed as 3B)
Retouch to LL vertical line from line 1 to the top of the LNB.
(A retouch of the lower right vertical line) “from line 1 to the bottom of the box (with a spur 3 lines above the box.)”
See Leo’s notes
In Marler, but the retouch goes to the top of the LNB, not the bottom, the LR vertical line is strongly retouched, and the spur Marler mentions is off of the LR vertical line, not the LL.
(A retouch of the lower right vertical line) “from line 1 to the bottom of the box (with a spur 3 lines above the box.)”
Leo indicates “In Marler, but the retouch goes to the top of the LNB, not the bottom, the LR vertical line is strongly retouched, and the spur Marler mentions is off of the LR vertical line, not the LL.”
(A retouch in the vertical line of the lower left) "from line 1 to the top of the box.”
Retouch of the LL vertical line from line 1 to the top of the LNB. Guide dot in the right margin at the midpoint.
(A retouch in the vertical line of the lower left) "from line 1 to the top of the box.”
(A retouch of the lower left vertical line) "From the top of the spandrel to the bottom of the box"
Leo’s observations indicate that Marler’s description is incorrect.
(A Retouch in the Vertical Line of the Lower Left) "From above line 2 - a heavy line to the box, doubling below line 8"
Heavy line to box, doubling below line 8
(A retouch in the vertical line of the lower left) "from line 2 to the top of the box.”
(A Retouch in the Vertical Line of the Lower Left) "From line 3 to the top of the left numeral box (a short line at the bottom of the box)."
Short line at bottom of box
(A retouch in the vertical line of the lower left) "from line 4 to the top of the box.”
Fine retouch to the LL vertical line from line 4 to the top of the LNB.
A retouch of the lower left vertical line.
Lower right frame junction line is ‘strange’. Constant?
(A Retouch in the Vertical Line of the Lower Left) "From above the top of the spandrel nearly to the bottom of the box with an irregular heavy line."
LL vertical line retouched from above the spandrel to near the bottom of the LNB. The retouch is thick at the top and appears doubled opposite the middle of leaf 2.
Irregular heavy line
(A Retouch in the Vertical Line of the Lower Left) "From above the top of the spandrel nearly to the bottom - a heavy line"
Strong retouch to the LL vertical line from above the top of the spandrel to nearly the bottom of the LNB.
Heavy line
(A retouch in the vertical line of the lower left) "from above line 1 to nearly the bottom of the box.”
Retouch 1C (in Marler, but listed as 3C)
Retouch to the LL vertical line from above the spandrel to near the bottom of the LNB.
The retouch is strongest opposite leaves 1 and 2.
A retouch of the lower left vertical line.
A retouch of the lower left vertical line "From above the top of the spandrel to the bottom of the left numeral box."
Retouch 1C (in Marler, but listed as 1A)
Strong retouch to the LL vertical line from above the top of the spandrel to near the bottom of the LNB. The retouch begins almost at the top of the middle part of leaf 4.
Strong vertical retouch in the lower left spandrel, which bends outward near the top, a central guide dot in the right margin with both horizontal and vertical (at center) guidelines in the right margin.
The strong scratch in ADA P will clearly identify this position.
Retouch 2C (not in Marler)
LL vertical line, from top of spandrel to near the bottom of the LNB.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to nearly the bottom of the box.”
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
Retouch 2C (in Marler, but listed as 2A)
A retouch of the lower left vertical line.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to nearly the bottom of the box.”
Retouch 2C (in Marler)
Retouch to LL vertical line from the top of the spandrel to near the bottom of LNB. Retouch is strong from the middle of leaf 3 to the top of the LNB.
(A retouch in the vertical line of the lower left) "from the top of the spandrel to nearly the bottom of the box.”
A retouch of the vertical line of the lower left spandrel
"The vertical line in the upper right from the top to below the bottom, the vertical line in the lower left from top to bottom, and the vertical line in the lower right from above line 1 to the bottom" (all retouched)
Vertical line in upper right from top to below bottom; vertical line in lower left from top to bottom; vertical line in lower right from above line 1 to bottom
(A retouch in the vertical line of the lower left) "from the top of the spandrel to the bottom of the box.”
Retouch 2C (in Marler, but listed as 2A) Fine retouch to LL vertical line from the top of the spandrel to near the bottom of LNB.
Lower stamp in a pair, which significantly reduces the possible positions.
It is not yet known if the mark in the first ‘A’ of Canada is constant.
The retouched line bends into the frame junction line at the very top.
Mark in bottom arm of the ‘E’ of Postage.
Retouched line bends into the frame junction line at the very top.
(A Retouch in the Vertical Line of the Lower Left) "in the lower left vertical line from above line 1 nearly to the bottom (a very heavy line.) "
From above line 1 to nearly the bottom of the LNB.
1) to the right of the bottom right serif of the 2 in the LNB;
2) between the bottom line of the LNB and the bottom frame below the first mark.
Very heavy line
A retouch of the lower left vertical line.
Very small guide dot in left, centre inner oval?
(A retouch in the vertical line of the lower left) "from above line 1 to nearly the bottom of the box.” (a heavy line)
Retouch 3C (in Marler)
Retouch to LL vertical line from above line 1 to near the bottom of the LNB. The horizontal lines extend beyond the retouched line opposite leaf 3.
Heavy line
A retouch of the lower left vertical line.
No guide dot in left, centre inner oval.
The Retouch in the Lower Left Vertical line goes "From line 1 nearly to the bottom"
A retouch of the lower left vertical line.
(A retouch in the vertical line of the lower left) "from line 1 to nearly the bottom of the box.”
Retouch to the LL vertical line from line 1 to nearly the bottom of the LNB. Horizontal dash in the left margin opposite the middle of leaf 2. May be perfed out.
(A retouch in the vertical line of the lower left) "from line 1 to nearly the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 1 to the bottom of the box.”
Retouch 4C (in Marler, but listed as 4A)
Strong retouch to LL vertical line from line 1 to near the bottom of the LNB.
(A Retouch in the Vertical Line of the Lower Left) "From line 2 nearly to the bottom." (of the box)
Retouch to the LL vertical line from line 2 nearly to the near the bottom of the LNB. Strong opposite leaf 3.
A retouch of the lower left vertical line.
A retouch of the lower left vertical line "From above the top of the spandrel to the bottom of the left numeral box."
Retouch 7C (in Marler, but listed as 10A)
LL vertical line retouched from line 3 to near bottom of LNB.
(A retouch in the vertical line of the lower left) "from leaf 2 to the bottom of the box.”
(A retouch in the vertical line of the lower left) "from line 4 to the bottom of the box.”
Retouch 8C (in Marler, but listed as 8A)
(A retouch in the vertical line of the lower left) "from line 4 to the bottom of the box.”
Retouch 8C (in Marler, but listed as 8A)
Strong retouch to LL vertical line from line 4 to near the bottom of the LNB. Thick opposite leaf 2.
The Retouch in the Lower Left Vertical line goes "From leaf 2 to nearly the bottom of the box (a heavy line).
Retouch 10C (in Marler, but listed as 10B)
Strong retouch to the LL vertical line from a bit below the top of leaf 2 to near the bottom of the LNB.
(A retouch in the vertical line of the lower left) "from leaf 2 to the bottom of the box.”
Retouch 10C (in Marler, but listed as 10A)
a) LL vertical line retouched from leaf 2 to near the bottom of the LNB.
b) Vertical line of RNB retouched. Gets thicker from top to bottom, but stops short of the bottom line. Not in Marler.
(A Retouch in the Vertical Line of the Lower Left) "From leaf 3 to the bottom of the box."
Retouch 9C (in Marler, but listed as 9A) Retouch to LL vertical line from leaf 3 to near bottom of LNB.
Only the vertical line of the left box is re-cut.
Retouch 11C (in Marler, on page 270, left column, first paragraph)
Retouch to the LL vertical line from leaf 1 just below leaf 2 to nearly the bottom of the LNB.
The line is thick opposite the lower half of the 2.
Only vertical line of left box re-cut; 6 lines above it
Only the vertical line of the left box is re-cut.
Retouch to the LNB from the top nearly to the bottom.
Only vertical line of left box re-cut
Only the vertical line of the left box is re-cut.
Retouch to the LL vertical line from the top of the LNB nearly to the bottom.
Only vertical line of left box re-cut